Killing Cupid by Mark Edwards and Louise Voss

Killing Cupid, co-authored by Mark Edwards and Louise Voss, is a psychological crime novel. (That's them to the left - at a goth party, if you are wondering about Mark's pallor and eye make-up.)

I've read the first chapters, and it's sharply-written and funny, though wimp that I am I'm a little worried the story could all turn very nasty...

When Alex Parkinson joins a creative writing class, he realises immediately that he and his tutor, Siobhan McGowan, are meant to be together. Alex will do anything to be with her...

What particularly interests me is that alternating chapters are related by different narrators, a bit like Replica. With Replica, every time I got on a roll I had to switch povs and start again with a crashing of gears, so I’m envious of Mark and Louise – with each writing a chapter in turn, how much easier it must have been. Mark agreed to write a piece for my blog about the process:

Writing partnerships: why two heads can be better than one.

Unlike songwriting duos, writing partnerships are rare. There's Nicci French, the husband-and-wife team who have been knocking out a thriller a year for the past decade. There are new kids on the block Saffina Desforges, in real life Sarah Griffiths and Mark Williams, who have been sitting at the summit of the UK Kindle chart for months with Sugar & Spice. And of course there is James Patterson and a parade of writers who do all the work in exchange for having their name in tiny letters on the cover of his latest schlockbuster.

Writers are supposed to work in solitude, hunched over a laptop surrounded by half-empty cups of cold coffee while they wrestle with their personal demons and howl into the great void... before going online and checking their Amazon rankings just one more time.

It doesn't have to be like that. My experience of writing with Louise Voss, which has so far led to two books, Killing Cupid (available in one good online bookshop) and Catch Your Death (watch this space).

Back in 2002 I was near the end of phase one of what I grandly think of as my writing life. I had recently been dumped by my agent (by letter; I'm sure these days she would have done it on Facebook) after a series of near misses with publishers. Louise, meanwhile, was halfway through her contract with Transworld/Black Swan. One evening, while gawping at celebs at the Groucho, we came up with the idea of writing a novel together.

I have no recollection of whose idea it was but like all the best brainwaves we were sure it must have been done before: a stalker novel in which the tables turn and the stalker becomes the stalked. We checked Amazon. No, it hadn't been done. We brainstormed a rudimentary plot and started writing.

It was a delightfully straightforward process. I wrote a chapter as the male protaganist, Alex, and emailed it to Louise, along with a few ideas for what happened next. She would edit my chapter then do the same, writing as Siobhan, the female protaganist. The process meant that we were both motivated to write quickly and to a high standard. And we were constantly surprised by what happened next.

Halfway through writing Killing Cupid I moved to Japan to teach English. But I was determined not to let Louise down; besides, this was the most fun I'd ever had writing. I remember my first morning in Tokyo, jetlagged and disoriented, sitting on the tatami mat in an unfurnished boarding house, writing the next chapter of the book on my laptop.

We had already discovered that Transworld were not interested in the book as they didn't want to publish anything that was not in Louise's normal genre of mainstream women's fiction. Her agent wasn't that interested either. However, a meeting with a BBC producer uncovered a big fan of the novel-in-progress. In fact, this producer – who went on to win a BAFTA – loved it so much she optioned it. For the first time I had actually earned a reasonable sum for something I'd written, and we were convinced the option would act as juicy bait for hungry publishers.

When we finished Killing Cupid – the final third of the book flowed as easily as water from a tap – we were sure we were going to be the next Nicci French. But the book commits that unforgiveable crime of not fitting neatly into one genre. It's half thriller, half comedy. We couldn't find a publisher. Then the TV adaptation went into development hell. I came back from Japan and life as an unpublished writer went on.

The experience of writing together, though, had been such good fun that we decided to give it another go. This time we would write something that fitted into a genre. It was shortly after the SARS outbreak and just before bird flu became big news. And The Da Vinci Code was massive. Louise had been thinking about setting a novel in an interesting setting: a closed-down common cold research centre near her hometown of Salisbury where, in the eighties, volunteers could spend a week blowing their nose and doing a lot of good for science. This all came together into Catch Your Death, a fast-paced conspiracy thriller.

But this time we hardly made an effort to find a publisher. We finished the book the same week my first daughter was born. Our own personal lives were chaotic. Real life got in the way. The book, although rather brilliant if I do say so myself, went on the shelf.

Skip forward a few years and the Kindle arrived. I persuaded Louise that we should publish the books ourselves. We re-wrote them, updating all the creaky technological references and lypo-suctioning the fat. This February, we published Killing Cupid. It has so far sold around 400 copies, attracted some great reviews and, excitingly, the BBC producer who liked the book the first time around has since set up her own film production company and wants to option it. Catch Your Death will hit Amazon in May.

And the rest is the future.

Mark Edwards' blog
Buy Killing Cupid for £0.70 on Amazon co.uk
Buy Killing Cupid for $0.99 on Amazon.com
Email: markandlouise@me.com

Thanks, Mark - I feel sure it is only a matter of time till Killing Cupid reaches the Amazon Kindle top 100.

Tweaking

I am a terrible tweaker, and this is probably not a good thing, because the last 5% of improvements can take the same amount of time again as you spent on the first 95%. I suspect that prolific authors never do that final 5%, which few people will notice in any case, and very sensible they are.

I've just spent about fourteen hours making a new cover for Remix; I finished last night and loaded it to Amazon. This morning I started making small but telling changes, and can't wait for the book to come out of Amazon's 48 hour publishing limbo so I can upload the improved version. I doubt anyone will notice the difference...

Interview with Lou, founder of Kindle Users’ Forum

After publishing Remix last August, I went on various forums to promote my book. I stumbled on KUF, and was struck by its attractive layout and friendly ethos (a contrast with Authonomy, then deep in its bloodbath phase). I was the first author there, and members made me very welcome. A few months later Remix was chosen as Book of the Month for October. I am proud to be a Kuffer.

Today Lou, the founder of KUF, answers my questions about the site.

What gave you the idea to start KUF?

The UK Kindle Users Forum (KUF) came into being for a couple of reasons. I was waiting for my pre-order Kindle to arrive last autumn, and like so many others found myself spending a lot of time on the official Amazon forum chatting and generally getting excited. With such a buzz around the release, one of the major shortcomings of the Amazon forum - the lack of structure and a permanent archive of all the great tips made me realise the need for a dedicated forum for us Kindle fans in the UK. After taking a look around some of the established forums which were predominantly US-centric, I decided to use some of my spare time to create something for us Brits to use.

In all honesty, I wasn’t expecting a huge uptake of the newly created forum but was pleasantly surprised by the number of people who showed an interest and became members - yourself included. Once the Kindle actually started shipping we saw quite a rapid growth in new members and the posts really started to pick up as new users shared their thoughts and tips for both the Kindle hardware and related web sites with books and services.

The site is one of the most attractive and functional I go on. What things did you consider when designing KUF?

I think in some ways, the site almost designed itself although I had a couple of goals in mind before I started. Firstly I wanted to make sure that the site was going to be able to handle a potentially large number of users if it took off, so I chose a lesser known but more powerful forum software as a basis. The second, and perhaps most important (to me at least) factor was I wanted to ensure that KUF would work nicely with the Kindle browser as so many other Kindle forums were very cumbersome to look at and use on a small black and white screen.

With these things in mind, I decided that the colour scheme should be predominantly black and white so that the transition from using the forum on a computer to browsing it on a Kindle was a comfortable one. It took a lot of work to make sure that everything would scale down to the Kindle screen and that the forum would be as usable as possible on the experimental browser. It was quite a tricky job and it’s still a little rough around the edges in some places, but on the whole I am pretty happy - I just need a bit more time to iron out the final wrinkles.

Soon after the forum was up and running, I launched a side project, the feed service, partly to encourage growth of the forum and also because it was something I wanted to use myself. Basically, the KUF feed reader allows you to easily read RSS feeds from other sites via the Kindle browser. At the moment it is suffering from some neglect due to lack of time, but it still works very well and has quite a few regular users.

There are still many things to do with the forum and probably an infinite number of side projects, the latest of which is the KUF TV guide which is a 7 day TV guide properly formatted for Kindle and updated every day. Also as a side project, I set up a url shortener called 32go.co which adds an extra level of security over traditional url shortening services. KUF now uses that for all of its facebook and twitter posts.

The latest development has been the new home page. The old one was so dull that most people didn’t even realise it was there (they were just going straight into the forum) but now it is much more interesting, although there are still some things I wish to add over time.

Forums always attract trolls. KUF seems to have achieved an ideal balance of light-handed moderation, combined with zero tolerance of the nastiness sometimes found on other forums. What is your secret?

As our demographic seems to indicate that most of our members are fairly mature we don’t seem to have many real incidents on the site other than occasional spam. Anything that has cropped up has been handled comfortably by our moderators who have a very sensible approach to dealing with things.

We did have a few short discussions about how to handle moderation and were pretty much in agreement to keep things friendly and tolerant at all times but to come down very hard on things like spam, bigotry or personal attacks.

We want people who use KUF to feel at liberty to talk about anything they want, but also to feel safe at the same time - I think the moderation team have got the balance just right in every action they have taken. Because of this approach and a truly friendly bunch of members, I think KUF has quite a unique kind of atmosphere in comparison to many other forums.

And how do you deal with us pesky authors, always ravening to promote our novels? Other sites can seem almost anti-author (bit like the publishing industry, really).

The way I see it, the whole Kindle thing is not just about the device, but also about the books and the authors who write them. There seems to have been a lot of anger directed at authors of late on some forums. I have always wanted authors to feel at home on KUF - input from the authors is always very welcome and it’s great to be able to chat to them about their latest work. Sometimes the promotional material can be a bit much, but as long as it’s kept in the designated area of the site I think everyone is pretty ok with it. Some authors do tend to hit-and-run, simply posting promo and not really interacting with our members. That’s fine, but I think there is more to be gained for them by actually getting to know us all.

During October 2010, at KUF we had a last-minute idea of compiling together some specially written short Halloween horror stories, to which several authors contributed including yourself. [Thus demonstrating how unhorrific is the horror I write - Lexi] This year I would like to do something similar but with more forward planning and more time for authors to submit something. I think concepts like this are a great way for authors and wannabe’s alike to introduce people to their style of writing and a good way to encourage further book sales.

We also have the KUF book club which always has a good number of indie authors in the running and because of this, I think many of our members have been introduced to authors they wouldn’t have considered before.

KUF has grown fast since its launch August 2010. How do you see KUF developing?

It’s hard to say - I guess a lot of it is going to be down to Amazon and where they go with the device itself. The festive season was particularly busy for the forum with so many people getting their first Kindle for Christmas. Naturally things have slowed down a bit since then, and it’s the books themselves that keep things ticking over until new developments on the hardware front.

As much as KUF is about the Kindle, I think it’s the social aspect that keeps everyone coming back - it’s been a great way to meet new friends and people who appreciate the same things, so I hope that the forum continues to grow steadily. I would like to see KUF evolve into a great platform for everyone who has an interest in reading and as a way for authors to connect with their UK eBook audience. As the Kindle platform and electronic publishing evolves, we're set to keep pace and make sure that Kindle Users Forum is the best resource in the UK.

Do you have a day job, and if so, what is it?

It's actually more of a day and night job at the moment. For the last 15 years give or take, I've been a web developer building online applications for a huge variety of projects. It's a tough job with technology and practices changing almost every day. I may be getting a bit long in the tooth for it now, or perhaps I just need a holiday.

It's great to work on KUF as it's something that I can take pleasure in and enjoy without the pressure of deadlines. I just wish I had more time to work on it during the course of the week.

One assumes you must be a great reader – what sort of book do you enjoy?

I've always been a keen reader, ever since I was a child and perhaps even more so as I get older. Reading a book is my way of relaxing at the end of a challenging day. As far as taste goes, I'm pretty eclectic - perhaps even more so since the Kindle has given me access to a bigger range of genres and authors than ever. I would generally class myself as a Fantasy, Horror and Sci-fi fan primarily however as these are the books that really take me away from it all. Probably my two favourite books ever are the Gormenghast saga by Mervyn Peake and Shadowland by Peter Straub. More recently I have enjoyed the fantasy works of Joe Abercrombie, Steven Erikson and Scott Lynch; I've just finished reading The Heroes by the former. I have a huge number of books still lined up for me on the Kindle, and the backlog just seems to get bigger as I discover more and more that I want to read. I really enjoyed your very own Remix by the way. [Thank you! Lexi]

You must also be a Kindle fan. What do you like about it, and do you see the Kindle changing much in the future, and if so, how?

Aside from the points I've mentioned previously, one of my favourite things about the Kindle is the free 3G and Whispernet service which is invaluable when away from home. As a fan of genres that usually demand very long books, I also love that it's so lightweight and easy to hold in one hand.

Regarding the future of the Kindle, there has been quite a bit of speculation about the Kindle becoming an Android device with an LCD screen, although most of this seems unfounded. I'm quietly hoping that the speculation is wrong because it seems like every man and his dog is launching a tablet device at the moment and the fact that the Kindle is a dedicated reading device is what sets it apart. It may be that Amazon does release a tablet device, but I can't believe that it would be to replace the incredibly successful Kindle line.

One of the more interesting bits of information that has surfaced in the last six months is the very real prospect of a colour e-ink Kindle. Now that really would be a step in the right direction as it would mean that electronic magazines and image based publications would be much more inviting.

At this stage, only Amazon know where they want the future of Kindle to lie, but based on getting everything right thus far, I'm quietly confident that the future of Kindle is looking better than ever.

Thanks Lou, and may KUF go from strength to strength as it deserves. And if any of my readers with Kindles aren't already members of KUF, do pop in. You'll get a warm welcome.

My new novel, Replica, on Amazon

Yesterday Replica the ebook went live on UK Amazon, then in the evening on US Amazon. Thanks to Remix enthusiasts, it went straight to number 1 in Movers & Shakers, and at one point cracked the UK Kindle top 100. (For some reason, it's not appearing in any of the genre charts it should be in; it's not, for instance, in the Thriller top 100 chart, which doesn't help sales. Annoying.)

It's an extraordinary experience, publishing a book you've been working on for more than a year. So much thought, research and work goes into it, and then you hand it over to readers and wait, breath baited, to see if they like it. I'm going to quote Winston Churchill again, as he puts it so brilliantly:

"Writing a book is an adventure. To begin with, it is a toy and an amusement. Then it becomes a mistress, then it becomes a master, then it becomes a tyrant. The last phase is that just as you are about to be reconciled to your servitude, you kill the monster, and fling him to the public."

Replica has been flung to the public. I hope it doesn't get lynched, or worse, ignored. I hope it will give hours of entertainment to many readers, and make me some money.

Titles - what do you think?

Any opinions on the title and the lettering would be appreciated, as I do last-minute tweaks and rethinks. This is what it's about:

Beth Chandler works in a government research institute, and is accidentally replicated in a flawed experiment. The replica has no official existence, and when she overhears plans to liquidate her, goes on the run. Homeless, penniless and pursued by MI5, she has to learn to survive on London's icy streets. Meanwhile, the original Beth, unaware of what has happened, becomes romantically involved with Nick Cavanagh, the spec op she believes is there to protect her. In fact, he’s hunting her double.

Unofficial Girl, the cover...

I've rethought the cover for Unofficial Girl, dragooning the offspring into posing for me. She's a few years younger than Beth, my heroine, a little thinner, and has the WRONG HAIR. Beth's is long, curly and red/gold. As you can see from Remix's cover, the daughter's is long, blonde, straight as rain, and wants to stay that way.

So I spent an hour with curling tongs, hair grips and a lot of extra-strength hair lacquer, and you can see the results in the new cover. I changed the colour on Adobe Photoshop.

All my future heroines will have whatever hairstyle my daughter has at the time, I've decided.

How to Fully Enjoy Popular Fiction, by Scott Meyer

I'm frantically busy, so here is a cartoon to amuse you instead of a post. Click to enlarge.

Speed bumps in the text

I usually edit each chapter with Autocrit as I finish it, but this has been a distracting year and I've missed a lot of them, so am currently putting the whole of Unofficial Girl through the Autocrit software. It's rather wearing, doing it all at once.

The main thing I need Autocrit for is my word echo problem; you'd think that as I'm aware of it I'd be able to deal with it, but I still miss some of the most obvious instances. It's brilliant for that. The other areas it focuses on are less useful, and some are counter-productive. For instance, on one occasion I used 36 adverbs instead of the 35 allowed, so EVERY adverb was in red, which is off-putting. And the software has recently changed, and become a lot pickier. I preferred its more laissez-faire version.

At this stage, I'm eliminating speed bumps in the text; anything that will trip a reader and remind him that he is reading a book. I'll be reading it aloud next. The aim is to make the prose as smooth as possible. This is something readers like, even if it's not consciously appreciated. Indeed, on YouWriteOn and Authonomy, I suspected there were those who marked down an easy read as somehow inferior to more taxing writing. They were deeply wrong.

Writing the ending

I am SO near the end of Unofficial Girl - 79,728 words and counting - and can't wait to finish and start tweaking and polishing and sending it out to beta readers.

Usually I find the end of a novel easy to write, because I don't start writing a book until I know how it will end. The last couple of chapters are the home stretch. But with Unofficial Girl, I made a last minute decision to change the end, thus making it much more challenging.

I just hope readers like it...

Sorry for this rather short post, I need to get back to the WIP.

What's a novel worth?

THE hot topic on the writers' forums I frequent right now is the price of ebooks, and more specifically, what a self-published writer should charge.

(We all know publishers have their own dark reasons for charging more than the price of a paperback, in spite of the negligible or zero costs of producing, storing, and distributing an ebook, and I'm not getting into that topic here.)

Here's a summary of the main arguments for a higher price, and my thoughts in italics:

• I value my work, and I demonstrate that in the price I charge for it. This book took me a year to write and is worth a sensible amount. What matters is not the author's perception of value, but the purchaser's, and it's an act of faith to buy and spend hours of your time on a novel by an author you've never heard of.
  
  
• Self-publishers who price their books low are doing a disservice to other indies by engendering an expectation of low prices. Welcome to the free market. In business, you price to sell your product, not to win friends; I am responsible for no one's sales except my own.
  
  
• If you price your book on Amazon at less than £1.49, thus earning 35% rather than 70% royalty, you will need to sell six times the number of books to break even. With a popular book, you will do this and much, much more. See JA Konrath and Victorine Lieske. And, in a more modest way, me.

The whole publishing industry is in a fascinating state of upheaval right now. Pricing is just a part of that turmoil. One can only speculate on what the industry will be like in five years' time, and the prices that ebooks will command. There'll be one constant, though. Readers will still buy books they like, and it will still be impossible to predict which books have that magic quality.

Likeable heroes and heroines

Before she began Emma, Jane Austen wrote, "I am going to take a heroine whom no one but myself will much like." I think she was wrong; certainly these days most readers like Emma. The heroine we don't like is Fanny Price, so outwardly meek while inwardly censorious about everyone else. It's the strength of a good book that we can have an opinion of the characters not necessarily the same as the author's.

I'm getting towards the end of the first draft of Unofficial Girl - 73,000 words out of an estimated 80,000 - and I've started wondering whether readers will like Nick Cavanagh, a spec op and one of the three main characters. He elbowed his way into a major role, ousting the disabled Marine who was to have been a key player in the story. Beth becomes romantically involved with him, believing he is there to protect her; in fact, he's hunting her replica. He's unscrupulous on occasion, an opportunist, ruthless and fairly selfish. But I like him. (I think the daughter does too, since she was disappointed when it turned out he is 5'10". She prefers taller men.)

I'm just writing the scene where the two Beths, the original and her identical copy, get together for the first time. Nick has tried and failed to get Beth One on her own and give her an edited version of events which will show him in a better light, and Beth Two is about to tell all.

Beth Two took the stool next to Beth and began to eat, apparently in no hurry to enlighten her. Her demeanour was relaxed and blithe, as if she might whistle were she not eating. Nick made himself a coffee while helplessly waiting for the truth to emerge like a rat from a toilet.

The Afrika Reich - Guy Saville's book launch

Last night the daughter and I went to the launch party of Guy Saville's alternative history thriller, The Africa Reich, in Waterstones Piccadilly.

I've never been to a launch before, so didn't know quite what to expect. The first surprise was that there is a large and busy bar on the fifth floor of Waterstones, an ideal rendezvous spot for book-lovers. Guy's do was around a smaller bar at one end of the vast space, with sofas, wine and piles of The Afrika Reich, which noticeably dwindled by the end of the evening.

The bar was crowded. I met some internet friends and acquaintances - lovely to put a face to the personalities I know from writers' websites. Katherine Robb, Justine Windsor (who has just got herself an agent), Carlie Lee, Katherine Webb, author of the bestselling Legacy, and Fraser Grace, playwright. Guy gave a brief and apposite speech, then sat in a corner to sign copies of his book. You had to take a copy to the fourth floor to pay (there was a queue) and return for a signature (another, longer queue, as Guy wrote appropriate messages for each person, not just his name).

It's a beautifully-produced hardback, with a map in the front and Germanic dropped caps, and Guy is a terrific writer. I'm really looking forward to reading it.

Trying to be a Time Lord

I'm 65,000 words into the current novel, which I think may be 80,000 words long when finished (it's difficult to judge) and I'm having a worse than usual battle with Time.

You'd think it wouldn't be hard for an author; after all, I'm in total control of the world I created - except when the characters get above themselves - and I'm telling the story in chronological order. I've printed out a calendar of the weeks I'm using, and have noted what happens on which day. Simple, huh?

Actually, no, and I think it's because of the structure of Unofficial Girl. At the start, Beth Chandler is duplicated in a flawed experiment, and alternating chapters tell the stories of Beth One and Beth Two, in third and first person narratives. This is harder to write than Remix, because just as I get on a roll, I have to switch to another character/group of characters. I also have to stop one Beth getting ahead in time when not much is happening to her, and there is lots of action in the life of the other.

I've tried novel writing software, but you have to learn how to use it to benefit, and I'm not convinced enough of its worth to expend the time. I can only admire and envy Gary Corby, who does spreadsheets to fine-tune his plotting. Darned if I could.

I'll just have to muddle on, grim and determined. I'll get there in the end. Watch this space.

My very own Kindle

I wanted a Kindle - such a neat and clever device, but I'm not reading a great deal right now, since I'm finishing my fourth novel, and have no time. I don't do holidays, and thank goodness, I'm no longer hanging around for hours in the fracture clinic at the Royal London Hospital (what a godsend it would have been last year) so it was hard to justify the expense.

But Wednesday an unexpected parcel arrived; an early birthday present from my insanely generous sister, and there it was; my own Kindle 3G!

It's a nifty bit of design. I like the graphite colour, so classy, and its lightness in the hand; the instructions are right there on the machine, clearly written, and I can imagine I will quickly get used to reading on screen so the Kindle disappears. It's a one-trick pony, and the better for it; a dedicated e-reader.

I can now see for myself why people are so enthusiastic about their Kindles, and get so fond of them. I believe they will, sooner than we think, take over from paperbacks.

Interview with famous author Lexi Revellian :o)

You can find out all about me and my writing at Sandra Patterson's blog today.

Discover how I went from rejection by all the best literary agents in the UK to becoming an indie author who has sold more than 12,000 ebooks in less than six months.

(And note I don't use the expression 'roller-coaster ride' once in the whole interview.)

The cartoon is by my daughter.

THE AFRIKA REICH rolls off the presses

The very first copies of Guy Saville's soon-to-be-released hardback, The Africa Reich emerge from their production line. I think this is one of the most exciting clips I've ever seen, and it's not even my book!

It will be available to buy on February 17th 2011 - or you could get your order in now ahead of the crowd.

10,000 e sales of Remix

Forgive my boasting - it's just such a landmark.

When I published Remix on Amazon in August 2010, I had no idea that my sales for the Kindle would take off the way they did. In the first six weeks, I didn't sell many; eleven on Amazon, and seven on Smashwords (never have equalled those first Smashwords sales!)

Then I lowered the price to 86p hoping to persuade readers to try an author they'd never heard of, and the book started selling - 81 in the last ten days of September. In October I sold 669 copies, in November 1,559, and in December 4,281. So far this month, I've sold 3,398. Remix has spent 97 days in the UK Kindle top 100.

One of the best things has been connecting with readers, and knowing that people were willingly spending hours reading a novel I wrote - and enjoying it. Some have emailed me, asking about my next book, which gives me a real kick. Without the Kindle, I wouldn't have been able to prove there was a market for Remix. (The paperback has had modest sales, because it's not possible to compete on price with POD, or get into the bookshops.)

After a year of fruitlessly submitting Remix to literary agents, it's great to feel vindicated; to suspect that had an agent and a publisher taken the book on, they'd have made a tidy profit.

N.B. 1) Alan, you were right.

N.B. 2) Victoria Strauss, if you don't believe these figures, email me for proof :o)

Why wouldn't you epublish?

So you've finished writing your novel; you've gone over it dozens, if not hundreds of times, till it is as polished as you can make it; you've sent it out to beta readers, and used some of their suggestions. If you need it (and it's a myth that every author does) you've paid a professional proofreader.

Now what?

If you buy lottery tickets each week in the hope you will win - after all, someone has to - and enjoy banging your head against a brick wall, your course is clear: submit your novel to literary agents. The publishing industry moves at the speed of a sloth with a hangover, so while you are waiting, as well as writing the next novel, why not publish for the Kindle on Amazon? Because:

• You will get some experience of marketing, always useful.

• You will find out what the paying public thinks about your book; on Amazon, you can expect slightly less than one review per hundred books sold.

• You will start to make money immediately.

• If your book sells well, this may impress the literary agent of your dreams; in fact, at some point agents are going to wake up to where the good non-contracted authors hang out these days, near the top of the Kindle chart, and start prospecting there.

Is there a downside? I think not. Some say you should not give away your first publishing rights, as publishers will not touch your book if you have. Frankly, if a publisher believes he can make money from your book, he won't give a damn about that. Suppose your ebook doesn't sell? If you've made every effort to promote it, and your price is right, you may have to face the fact that it's not as good as you'd hoped; or that it's a minority taste.

And you still have the agent lottery to try.

How to publish for Kindle on Amazon

NOTE: since KF8, I no longer use this method. See THIS POST for my latest.

To anyone who hasn't done it, publishing for the Kindle on Amazon can seem a formidable task, so this post is to share my tips on how I published Remix. There are other ways - and you can always pay someone else to do it. JA Konrath recommends the person he uses. Allow about a day to do it my way.

• Prepare your book as a Word document. Remove page numbers and headers. Make a title page; I'd advise condensing the usual front matter to one page. Put the indents to three characters, and start each chapter on a new page using Ctl and Enter. I used a tilde (~) between scenes, as the conversion process can remove line spaces on Kindle for PC. [Update: to add a space between paragraphs use Shift-Return at the  end of a paragraph. Unlike Return on its own, all the Kindles respect these - except the Kindle Fire if the blank lines follow a page break.] N-dashes with a space either side allow the text to flow better than M-dashes. Consider if you should put a bit about another of your books with a link, or a link to your website, at the end.

• Download Mobipocket Creator (free) and from the home page, import your Word document.

• Click on Metadata to the left of the page you are now on, and fill in your book's details and cover. You will need to use Ctl and V to paste. You no longer need to include your cover image at the front of the text - Amazon's KDP now has a box you tick and your cover will be added as the first page of your ebook.

• Click File and Save As, and the document will be saved in HTML form where you choose on your computer.

• Go to Amazon's Kindle Direct Publishing. Register, go to your Bookshelf and click Add a New Title. Follow the instructions carefully.

• Once your HTML file is loaded, you get to the most important part of the process, Preview. Preview gives you an approximation of what your text will look like on a Kindle (don't worry that the page has no margins - it will on the Kindle). At this stage, go through every single page looking for formatting flaws which have popped up, such as passages in bold or italic or incorrect indents. Put these right on the HTML document as you find them. You don't need any knowledge of HTML to do this; it's easy to work out which bit of code is wrong, and replace it with a sound bit of code from a correct passage. Remember to change the code at the end as well as the beginning of a paragraph. Warning: this painstaking process may take hours, depending how much extraneous concealed formatting your original Word document had. But it's essential.

• Reload the improved text, and check again.

• Repeat until your book looks the way you intended.

• Fill in the rest of the details.

• Publish! If you have a Kindle, download a copy to check; if you don't, download Kindle for PC and check on that.

• Sell lots of copies.

For tips on print books' typography, see my post Typography and the self published novel.

REMIX in today's Times newspaper!

Paul J told me Remix was on page 31 of today's Times; I rushed out and bought a copy, and here it is. The article is about sales of romance titles booming, because if you read on a Kindle, no one can tell whether your taste runs to Tolstoy or Katie Price.

Mark you, their definition of a romantic novel is pretty loose, as is Amazon's. I wouldn't call Remix a romance as such, and it's been near the top of the Romance chart for months. Jane Austen's collected novels are there, and she said,

"I could no more write a romance than an epic poem. I could not sit seriously down to write a serious romance under any other motive than to save my life; and if it were indispensable for me to keep it up and never relax into laughing at myself or other people, I am sure I should be hung before I had finished the first chapter."

I'm dubious about the romance status of one or two others; Erotic Tales? Surely not. But it still gives me a buzz to see the cover of my novel in the Times.