Voltaire said that, and how right he is. Writing a novel is all about selection; once you've got an idea for characters and a plot, then crucial decisions about how you tell the story have to be made. And the decision that crops up the most is what to put in, and what to leave out.
I am paranoid about not boring my readers (even though, as my books are unpublished, there are so few of them. But one must plan ahead...) If I write a scene without zing, I will re-write it until it sparkles, or delete it. And I have to trust my judgment, because although I have had excellent and helpful advice on
Youwriteon and Authonomy, I have also had contradictory advice, and advice that struck me as wrong.
I am the only person, in the end, who can decide what goes in my books.
My friend
Alan Hutcheson wrote:
Why write a novel? Because reading really good ones is inspirational and we want to get deeper into that magic. The magic that leaves out the boring parts and takes us to a world where it is all exciting. Maybe scary, maybe funny, maybe disgusting and maybe frightfully rousing (read that however you like). But no boring parts.Great to read, even better to create.That's why we write novels. It gives us a chance to leave out the boring stuff.By the way, I hope I will be able to write exciting news shortly about Authonomy, Harper Collin's new website for unpublished authors.
And
Catch a Falling Star is up to 24,120 words, and counting...