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Monday, 27 August 2007

Metaphors and similes

A good metaphor or simile is a lovesome thing.

When I wrote, 'He felt as weak as a fly on a cold day at the end of summer', I felt ridiculously pleased with myself, because I don't often come up with descriptive phrases like that, and they do make prose more vivid.

What about the bad ones, though? 'As quiet as a mouse' - anyone who has tried to sleep with mice rampaging round the room will wonder how that saying achieved common use. And 'touch pitch and be defiled'; as a jeweller I sometimes use pitch for repousse, and it's really not that messy. 'Touch a car's engine and you'll be black from fingernail to elbow' - now that's the truth, but it doesn't have quite the same ring to it.

From the master of metaphor and simile, P G Wodehouse;

She gave me the sort of look she would have given a leper she wasn't fond of

He was a tubby little chap who looked as if he had been poured into his clothes and had forgotten to say "when!"

Her eye swivelling round stopped me like a bullet. The Wedding Guest, if you remember, had the same trouble with the Ancient Mariner

Her face was shining like the seat of a bus-driver's trousers

As for Gussie Finknottle, many an experienced undertaker would have been deceived by his appearance and started embalming on sight

Gosh, he was good. I've really got to work on this.

Thursday, 23 August 2007

Colons

Today we will discuss the colon. Briefly.

Extremely fond though I am of the semi-colon, I never seem to think to use a colon. George Bernard Shaw, that talented yet irritating man, used them to excess. He probably used up my share, and a lot of other people's.

I am not sure what a colon does that a full stop doesn't do better.

In the whole of Trav Zander, I use one colon. When it is published, there will be a small prize for the first person to locate it.

(Don't all rush at once, you'll trip over the ellipses).

Monday, 20 August 2007

The ultimate query letter?

Literary agents are a picky bunch.

We all know a manuscript has to have the best opening sentence ever, and deliver an intriguing plot on page one, in a genre which the agent believes might be the Next Big Thing. A hopeful author will, of course, also need a snappy synopsis that makes the agent rush to read more.

Now, alerted by my friend Alan, I realize this is not enough; one also has to have the perfect query letter.

I have downloaded How to Write a Great Query Letter by Noah Lukeman, and am halfway through reading it. Some of the advice is common sense; don't use cheap or coloured paper, or an unusual font, don't write more than a page. He has some useful insider knowledge, having been an agent himself for many years; apparently, it is a convention in the publishing industry that book titles are set in caps; 'This alone can signal a pro'.

Some advice, though, is kin to my daughter's superstition that for exam success, it's as well to wear spotty socks, and the brighter the spots the better. Using A4 paper is bad, for example; it needs to be 8 1/2 x 11 inches. Can this be true?

I have now got to the nitty-gritty about what to put in my Three Paragraphs (you're only allowed three) and there's still seventy pages to go.

I know what I'm going to be doing over the next month.

Here is one of my favourite quotes, from Nerve, by Dick Francis. The hero is talking about what he learnt from his mother, a pianist;

'Professionalism, for instance; a tough-minded singleness of purpose; a refusal to be content with a low standard when a higher one could be achieved merely by working'.

Sunday, 12 August 2007

Is it done yet?

How do you know your book is finished?

I am sure Dickens, who wrote detailed outlines of every chapter before he started, knew when the job was done. Those of us who write in a more haphazard way, starting in the middle or at the end, randomly putting down scenes as they pop into our heads, are less certain. With my first book, Rising Fire, I didn't even know what happened in the second half of the book when I began. I worked it out by deciding what the characters would do next in that situation. Episodes I thought would occupy the central section ended up near the beginning. More like making a rag rug than knotting a carpet.

In preparation for Print on Demand on Youwriteon I have revised, read aloud, polished, checked the spacing after every full stop (gah!) and for the moment, I think that's it. But is it? After it's lain fallow for a few weeks, will new thoughts of how I can improve it sprout in my mind?

Should I still be nurturing Rising Fire and Trav Zander, or is it time for them to leave home, find a job and a flat, and make their own way in the world?

Friday, 3 August 2007

Talking dogs…

Once upon a time, there was a man who angered a great Emperor. The Emperor ordered his death.

‘Oh Most Powerful Lord,’ said the condemned man, ‘only let me live, and I will teach your dog how to talk.’

Now the Emperor was very fond of his dog. He stroked its ears as it sat beside his throne. Most likely the man was lying; it was an improbable offer, but just supposing he could do it? What, after all, was there to lose? So he said,

‘Very well. I grant a stay of execution. If, at the end of a year, my dog can talk, you will go free. If not, then you will die.’

The man bowed low and thanked the Emperor, then left the room to prepare the canine speech classes. His friends rushed up to him.

‘What was the point of that? You’ll never teach a dog to talk.’

The man answered, ‘Many things can happen in a year. I may escape. The Emperor may die. Or, just possibly,’ and he smiled, ‘the dog may learn to talk.’

* * *

I heard this story long ago, I don’t know where, and it stuck with me. If ever anything good and extremely improbable happens, I mutter, ‘What do you know, the dog learnt to talk.’

Thursday, 2 August 2007

Gold star on Youwriteon

Yesterday my short story, Comforted by Darkness, made the best seller chart on Youwriteon and got its gold star. It's currently at number eight. My other short story, Showing Them, is now at number two.

Comforted by Darkness qualified by staying in the top ten for more than twenty-five days in a three month period. In fact, it was hanging around the lower reaches of the top ten for eighty-three days, which I'm hoping may be a record.

So I'm really pleased.

Friday, 27 July 2007

The ultimate rejection letter

Any unpublished author will be familiar with rejection letters. I came across this on the web. No attribution, so if it's yours, let me know.

Herbert A. Millington, Chair - Search Committee
412A Clarkson Hall,
Whitson University College Hill,
MA 34109

Dear Professor Millington,

Thank you for your letter of March 16. After careful consideration, I regret to inform you that I am unable to accept your refusal to offer me an assistant professor position in your department.

This year I have been particularly fortunate in receiving an unusually large number of rejection letters. With such a varied and promising field of candidates, it is impossible for me to accept all refusals. Despite Whitson's outstanding qualifications and previous experience in rejecting applicants, I find that your rejection does not meet my needs at this time.

Therefore, I will assume the position of assistant professor in your department this August. I look forward to seeing you then. Best of luck in rejecting future applicants.

Sincerely,

Chris L. Jensen

While on this topic, have a look at: The Devil's Mailbox

27th August 2007 I've found the author! Still not entirely sure who he is, but see; http://www.ufobreakfast.com/archive/00000194.htm

Friday, 20 July 2007

Trav and Isolda in the rain

Another extract from Trav Zander. Trav and Tor have returned to Carl's catital to rescue Katrin. While waiting for dark, Trav goes into the city to look for Isolda. Tor suggests he gets some apples while he is there.

* * *


It had started to rain, which was good; it meant Trav could wear his hood, and if he kept his head down he was unlikely to be recognised. He knew he would be lucky to find Isolda. In this weather she would most probably stay indoors, but he wanted to see her so much he had to go and look. People were clustered by the shelter of the stalls in the central square. Trav walked round, then looked into the shop windows, but Isolda was not there. He saw a fruit stall and went and bought some apples and a hessian bag to put them in. Pocketing his change, he glanced up and there she was, coming out of the glovemaker’s, as if summoned by his wish. The elegant way she moved made her unmistakeable though she was shrouded in a cape and hood. She was alone. He followed her down a narrow lane. The rain grew heavier, and she took cover under an overhanging building. He joined her there.

‘Wet day for a walk,’ he said. Her head turned sharply and he smiled at her. It was so good to see her, and he could tell she was pleased to see him. His spirits soared.

‘Trav? You’re mad coming back. Carl is thirsting for your blood. What are you doing here?’

‘Oh, I just came to get some apples…’

‘Fine, don’t tell me then.’

‘…but since I am here, and we happen to have bumped into each other, why don’t you come away with me?’

She looked at him.

‘What, now?’

‘Why not?’

‘You mean, leave Carl, leave all my belongings, walk away with you now to wherever you are going? In the rain?’

‘Right. That’s it exactly. If you get a better offer today I’ll be surprised.’

‘But I hardly know you…’

‘You like my stubble.’

‘I don’t know where you live.’

‘Doesn’t matter, I don’t live there any more, Carl knows the address.’

‘So you want me to join you on the run? You’re insane.’

No one was about. Trav put his arms round her and kissed her, savouring the delicate lily scent of her. Apparently she still liked him…quite a lot, it seemed. This thought made him smile too much to go on kissing her properly, so he stopped and said, ‘Come on, Princess. Trust me, it’ll be great.’

She leaned back against his arms smiling and gazed into his eyes. ‘You know, I really like you, Trav. But I’m not quite crazy enough to run away with you.’

‘If I kissed you again, would you get crazier?’ He bent his head towards her. She stopped him with a hand on his chest.

‘It’s no good, Trav, you’re very nice, I find you very attractive, but you’re just not the sort of man I go for.’

Trav saw that she meant it. His confidence and excitement of a moment before evaporated. The colour leached out of the day, leaving it grey and flat, and he became aware that his left boot was leaking. Everything seemed heavy, complicated and barely worth the effort. He let go of her.

‘You mean I’m not rich?’

‘Yes, that is what I mean. I’m sorry.’

‘So you prefer a rich bastard like Carl to someone you like who’s poor?’

‘I like the life. I like money, nice clothes, someone else doing the cooking and cleaning. Good food and wine. Not having to get up at dawn. I’ve tried being poor and I didn’t like it.’ Isolda was getting into her stride now. ‘I’m not going to go back to it for anyone, and if you’re honest I bet half of what you like about me is the gloss that wealth produces; the way I dress, the way I smell, the fact that my hands aren’t red and cracked and my face isn’t careworn from a life of petty worries. I doubt you’d have looked twice at Isolda the kitchen maid in her grubby rags.’

‘You think that’s what attracts me to you? Your clothes? Okay, I like the packaging, you’re the most beautiful woman I’ve ever met, but it’s not just that. It’s you I want, Isolda, the real you that I can talk to. You when you’re being kind and funny and understanding. Carl only cares about your looks. For him you’re the beautiful mistress who adds to his status, that he bought like any other expensive object in his palace.’

There was contempt in Trav’s voice, and Isolda thought not all of it was for Carl. She flushed.

‘I am my own person, not yours, not Carl’s. I am here because I choose to be. If you don’t like the way I live my life, that’s too bad. It’s none of your business.’

‘You can’t have it both ways, Princess. You’re paid to do what Carl wants, however you wrap it up. You’re his down to the last polished fingernail.’

‘I think you should go.’

‘Right,’ he said. ‘I’m going.’

Her hand moved towards him uncertainly. ‘Trav – take care of yourself.’

‘Sure.’

He went off through the downpour. Isolda stood as he disappeared round the corner. There was a lump in her throat, and a piercing sense of loss in her heart. Part of her wanted to run as fast as she could after Trav, frantic that it might be too late and she’d never find him. She turned and walked in the opposite direction back to the palace, rain mingling with her tears.

Monday, 16 July 2007

Okay, so I'm a blockhead...

Doctor Johnson famously said, ‘No man but a blockhead ever wrote, except for money.’

The picture, by Henry Wallis, shows Dr Johnson at Cave's the Publisher. Is the maid waiting for him to finish some last-minute revisions so she can run it to the printer’s? Or perhaps, given the fancy frock, it's a daughter of the house admiring an eminent author.

Lots of us write without being paid, though I guess most of us cherish the small hope that we will be published one day, and maybe even reap a modest profit. My writing folder is ironically entitled FAME AND FORTUNE, because I dimly remember hoping this would be the result of my efforts, in the far-off days when I knew nothing at all about it.

I have another quote from Doctor Johnson, who lived in a time lacking worldwide communications;

‘I would not give half a guinea to live under one form of Government rather than another. It is of no moment to the happiness of an individual. Sir, the danger of the abuse of power is nothing to a private man.’


Happy state of ignorance. The great man wasn’t right about everything.

I looked up these quotes on The Samuel Johnson Soundbite Page.

Friday, 13 July 2007

Picturing a character...

I find it helps when creating a character if I can find a photograph that looks like him or her. I don't start with a photo, but once I know what the character is like, I can recognise a picture of him.

(In case this sounds terribly amateurish, I'll just drop in that Jane Austen used to do the same when she was looking at portrait paintings).

This photo is of an African dictator. The website I got it from has now vanished, so if you know who he is, please let me know. It's really bugging me. I used this photo for my villain, Carl of Thrales. I don't see him as a black man, but the expression is spot on. This is how I describe him;

'Carl was in his mid-twenties, and had inherited his kingdom six months ago on the death of his father; he had an air of sleek confidence, lolling as he was on his ornate gilded throne. A smooth face, a slight curve of the mouth and arched eyebrows gave him a calm superior air. Mouth and eyes, looked at separately, seemed to be smiling; taken together they were not'.
.
N.B. Thanks to Roger Williams, (see his blog Dictators of the World) I now know that the photo is of Joseph Kabila.

Tuesday, 10 July 2007

Is it any good?

How do you know if what you have created is any good?

Two ways, in my opinion; your own gut feeling, and the reactions of others. Both unreliable.

Van Gogh, obsessively painting nearly one canvas a day, must have felt an inner conviction of his own talent. During his life, he only sold one picture. Within a year of his death, his brother's widow had begun selling his work. Today his paintings sell for millions.

Then there's Sir Walter Scott. Any of you read his books? I thought not. * They're unreadable. In his day he was hugely successful, the first international author.

Sometimes I think my writing's good, at other times wonder whether it's not total rubbish. And as for the reactions of others... My short story, Comforted by Darkness was described as 'mesmerising' (I like that reviewer a lot) while another dismissed it as 'a readable romance for a weekly magazine'.

All you can do is peg away and see what happens (provided, of course, it happens in your lifetime).

* Okay, Alan, you're the erudite exception that proves the rule.

Saturday, 7 July 2007

Sweet peas

I grew these on the workshop balcony.

Sweet peas are such good value; pretty colours like tissue paper, fragrant, and you have to pick them to keep the flowers coming.

Mantelpieces are like secular altars. I put small things I like on there, and change them around now and then.

Except for the careful use of the serial comma, this has nothing to do with writing. I'm being self-indulgent.

Thursday, 5 July 2007

Carl of Thrales

Carl of Thrales is one of the villains in Trav Zander. I can't help feeling sorry for him, as he has truly terrible judgment. At the start of the book he has everything, and he loses it all through one bad decision after another.

This is a scene towards the end of the book, after Carl has been deposed from the throne of Ser. He is on his way to wreak vengeance on Trav.


* * *


Carl sat at the inn table on the hard wooden bench, his muscles sore after another unaccustomed day in the saddle, damp from the intermittent showers that had been falling on and off since dawn. He’d have liked a seat by the fire so he could get dry, but they were all taken. He lacked a change of clothes and, used to clean linen, felt crumpled and grubby. The forest was confusing, and today he had got badly lost. He had taken the wrong path, blundering about for hours before getting back on track. One lot of wet trees looked very much like any other. Without a map he had to rely on rare signposts or directions from surly labourers.

He hated the way he lived now, homeless, comfortless, having to do everything for himself, and he had no idea of what would happen when his money ran out. He could not work, he did not know how, and he had no desire to learn. Still, time enough to think about that when he had done what he meant to do…he would be able to think better once his task was accomplished. It would clear his mind.

‘Here you are,’ the slatternly serving girl said, dumping a plate and tankard in front of him containing a primitive meal of beef, bread and beer. He was hungry, and just the sight of the food made his mouth water, but he called the girl back and pointed to the crusted mustard pot.

‘I’d like a clean one of these.’

‘What’s wrong with it?’

‘It’s got dried mustard all round the top.’

‘No one’s ever complained.’

‘Well, I’m complaining now. I want another one.’

The girl picked the pot up, put it on the table next door, picked up that table’s mustard pot and banged it down in front of Carl.

‘There.’

She walked away. The new mustard pot was hardly cleaner than the first. Carl began to eat. What a wretched inn this was, but it was the only one he could find in the small town and it was a black night. Too dark for him to want to ride on to the next place, and besides he was exhausted. The low-ceilinged room was packed, and the noise of a dozen conversations oppressively loud. Everyone seemed to know each other, and newcomers crossing the threshold were greeted with roars from the drinkers and diners.

‘D’you mind if we sit here?’

Two burly men of uncouth appearance stood by Carl. He looked them over. Their clothes were coarse and they reeked of horses, sweat and ale.

‘Yes, I do mind. I prefer to be alone.’

The larger of the two men raised his eyebrows. ‘Do you now? Then it’s not your lucky day, sonny.’

He settled himself beside Carl, forcing him to shift along, and his friend joined him opposite. They resumed their conversation.

‘The grey gelding Mel was asking five hundred for, did you see its legs? Bog spavined and sand cracks too, he’s got a nerve, and he sold it as well. There’s a fool born every minute. That mare in foal at the end of the line, she was a bargain for anyone with eyes to see it…’

Carl seethed quietly for several minutes, then interrupted.

‘What was the point of asking if you weren’t going to take any notice?’

The big man broke off and turned to Carl as if he had forgotten he was there.

‘Manners,’ he said briefly. ‘Myself I’d have gone for the bay with the blaze, nice looking animal, mark you with that temperament it could break your neck…what is it now?’

‘That’s what you call manners, is it? A perfunctory query then barging in where you’re not wanted? Still, I guess in this company it passes for refinement. I suppose it’s only what I might have expected from a filthy peasant who was probably dragged up in a stable.’

Carl had the man’s full attention now. ‘What did you just say?’

All at once the miseries, discomforts and frustrations of the day came to a head and Carl let some of his anger out. ‘I said you could have been reared in a pigsty, going by your smell, and you’ve got the manners to go with it.’

The man put his tankard down slowly on the table and stood up, exuding such menace that the room hushed round him.

‘Get up.’

‘What for?’

‘Come outside.’

Carl did not like the turn events were taking. ‘No, why should I? Do you know who I am?’

‘I don’t know who you are, and I don’t care. I know what you are, you’re an arrogant little stuck-up git who thinks the world belongs to him and wants teaching a lesson. Well, you’ve just met the man to give it to you. Get up.’

Carl was relieved to see the innkeeper coming over. He addressed the big man before Carl could make a complaint.

‘What’s going on, Winch? Is this fellow causing trouble? I don’t want a fight.’

‘It’s all right, Pirie, I won’t hit him in here, he’s coming outside with me.’

‘Leave him, I’d rather not have a fight outside my inn either.’ He eyed Carl. ‘You, you can clear off, you’re not welcome here.’

‘But that’s outrageous. I haven’t finished my meal. I’ve paid for my room. You can’t turn me out.’

The innkeeper felt in the leather bag on his belt, and counted coins on to the table. ‘I’m doing you a favour. There, take that and don’t come back.’

‘But where am I supposed to sleep tonight? This is the only inn.’

‘That’s your problem.’

Under the unfriendly eyes of the whole room, Carl picked up the money and his jacket and walked out into the black rainy night to get his horse.

Friday, 29 June 2007

Just three dots…

What is your favourite punctuation mark?

Since the astounding success of Lynne Truss’s ‘Eats, Shoots and Leaves’ this is not the weird question it might once have been. Like every right-thinking writer, I treat the exclamation mark with suspicion and disdain, only grudgingly giving it house room in dialogue. I have always been a fan of the semi-colon; it gives a pleasing balance to a sentence.

But lately I’ve noticed a worrying addiction to dots of ellipsis in my work. There they are, all over the place, leading people to believe that this may be the origin of my Youwriteon username, Spotty Leopard.

I love the way they let a sentence trail off, leaving the reader to continue a thought in his head…

This can’t go on. I’ve got to get a grip.

Thursday, 28 June 2007

Rocking horses and writing a novel…

I am currently reading Wannabe a Writer? By Jane Wenham-Jones. An entertaining and informative read.

She says ‘It is a strange thing that few people assume, in the absence of any evidence to the contrary, that they can paint pictures worthy of the Royal Academy, sing like Pavarotti or play the guitar like Segovia. Yet all sorts of otherwise sensible beings imagine that if they only had the time they could knock out 90,000 words that would get snapped up by the publishing world and then fallen upon by a grateful public.’

Funnily enough, people harbour the same delusion about renovating rocking horses. People sell them on eBay with the line, ‘I bought this intending to do it up, but didn’t have the time.’

Just as well for the poor old rocking horse. To make a good job of it, you need to know the history of rocking horses, a bit of woodwork, how to make and apply gesso, how to dapple authentically, how to prepare and attach a real horsehair mane and tail, how to make appropriate leather harness…the list goes on. Getting out the power sander and the paint left over from decorating the house just won’t hack it.

Yet, as with writing a novel, it’s invariably the lack of time that’s perceived as the real problem.

Tuesday, 26 June 2007

A rejection from a Chinese economic journal...

"We have read your manuscript with boundless delight.

If we were to publish your paper, it would be impossible for us to publish any work of lower standard.

And as it is unthinkable that in the next thousand years we shall see its equal, we are, to our regret, compelled to return your divine composition, and to beg you a thousand times to overlook our short sight and timidity."

Sunday, 24 June 2007

The Fantasy Novelist's Exam


I have just taken the Fantasy Novelist's Exam. Seventy-five questions, and if you answer yes to any one of them, you fail and are told to abandon your novel.

I answered yes to three, but I'm not admitting it. Or saying which they were.

If you want to take a look for yourself, here it is: http://rinkworks.com/fnovel/

Tor in the rebel cavalry


Some readers query the part in Rising Fire where my heroine, Tor, disguises herself as a man and fights in the cavalry. She’d never get away with it, they say.

Throughout history, hundreds of women have dressed as men and enlisted in the army or navy, usually in order to follow their lover/husband. Some have become famous, like Doctor Barry, who had a long and successful medical career, including work in the Crimean war. In a society where only men became doctors, and only men wore trousers, her sex was never questioned.

This is an excerpt from a book, published while she was still alive and passing as a man, by the Count of Las Cases. The Count wrote that on 20th January 1817:

"I received a visit from one of the captains of our station at St Helena. Knowing the state of my son's health, he brought a medical gentleman along with him. This was a mark of attention on his part, but the introduction occasioned for some moments, a curious misunderstanding. I mistook the Captain's medical friend for his son or nephew. The grave Doctor, who was presented to me was a boy of 18, with the form, the manners and the voice of a woman. But Mr Barry (such was his name) was described to be an absolute phenomenon. I was informed that he had obtained his diploma at the age of 13, after the most rigid examination, and that he had performed extraordinary cures at the Cape."

People see what they expect to see.

I can’t resist mentioning Black Agnes, who fought like a man but without pretending to be one. In 1334, she successfully held her besieged castle at Dunbar for over five months. After each assault on her fortress, her maids dusted the merlons and crenels (the top of the battlements), making a joke of the siege. How this must have annoyed her attackers.

Then, less than a century ago, there was the English war reporter Dorothy Lawrence (see photo on the right) who secretly posed as a man to become a soldier during the First World War.

I’m going to stop here. There’s a lot on the internet, for anyone who is interested to learn more.

Wednesday, 20 June 2007

The Machine With No Name...

Actually the new MFP has two names; the Nameless One, and my daughter insists on calling him, no, it, Buttons.

I printed out Rising Fire (in case the workshop burns down) and the print quality in places is not as crisp as Percy's. I shall try hitting the Best button next time. Personally, I think we should all do our best all the time, and not require a special button for it.

The Nameless One and I are not yet in perfect harmony.

Unbelievably, Pootle the robotic vacuum cleaner has stopped working. He's going back under warranty tomorrow.

Monday, 18 June 2007

PERCIVAL THE PERIPHERAL

Never give a name to an electronic gadget; you will feel like a murderer when the time comes to replace it.

This is Percival the Peripheral, the multifunctional printer which has served me well for two and a half years. He still looks like new, but he doesn’t print any more. It’s fifty pounds just to have him looked at, and a new MFP costs little more than that. His replacement arrives today, and Percy is destined for the local recycling centre.

He appears (as himself) in my short story Showing Them, which you can read at this link: Youwriteon.

I won’t be naming the new machine. Our relationship will be a purely formal workplace one. I shan’t pat him after he’s done a particularly good job of copying, or say ‘Thanks, Percy,’ as I switch him off.

Now I’ve just got the robot vacuum cleaner (Pootle) to worry about.

For the last time; thanks, Percy.